Profil de .SANTA MONICA | ABOVE THE...PhotosBlogListesPlus  |  Outils Aide |
SANTA MONICA | ABOVE THE CLOUDS ROUND THE SHADOWwe are the nobodies,but not the numbodies.
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::MISSING:: 生命中的神秘瞬间
仿佛是预支了某个未来的心情 这样的心情 像是在回味往日那一盒 已经被吃掉的彩色糖果哟
::WHO HAS SEEN THE WIND:: WHO HAS SEEN THE WIND? NEITHER I NOR YOU. BUT WHEN THE LEAVES HANG TREMBLING, THE WIND IS PASSING THROUGH. WHO HAS SEEN THE WIND? NEITHER YOU NOR I. BUT WHEN THE TREES BOW DOWN THEIR HEADS, THE WIND IS PASSING BY. ::SHADOWS UNDER THE EYES:: 眼角四周的皮膚是最單薄的
就像愛情 我喜歡自己的黑眼圈
因為我對我們的愛情心存感激 ::MICHAEL JACKSON:: 那位真正的天王
在沒有改變膚色之前 其實是好看的 他的舞和他的歌 好特別好有力量 如果他的愛 是被世界允許的 如果因此 會有他愛的人 捧著他的臉 說你很美我愛你 那有沒有可能 他會喜歡自己 不會像後來那樣 猛烈的 做各式各樣的逃離 而最終 變成被訕笑的怪物 我幾乎有一點傷感了 ::DREAM:: DO YOUR DREAMS CHANGE?
MINE DO NOT.
I HAVE ONE DREAM:
A CRIMSON SKYLINE ENVELOPS ME AS LEGION,NUMBERING BEYOND COMPREHENSION,
BATTLE IN THE DISTANCE.
你的夢境會改變嗎
我的夢境從來都不會變 我只有一個夢 數量超乎想像的燃燒軍團像深紅色的地平線包圍著我 戰爭在遠處打響 ::HEROES:: THERE IS GOOD, AND THERE IS EVIL ... RIGHT AND WRONG ...
HEROES AND VILLAINS. AND IF WE'RE BLESSED WITH WISDOM. THEN THERE ARE GLIMPSES BETWEEN THE CRACKS OF EACH WHERE LIGHT STREAMS THROUGH ... WE WAIT IN SILENCE FOR THESE TIMES WHEN SENSE CAN BE MADE ... WHEN MEANINGLESS EXISTENCE COMES INTO FOCUS, AND OUR PURPOSE PRESENTS ITSELF. AND IF WE HAVE THE STRENGTH TO BE HONEST, THEN WHAT WE FIND THERE STARING BACK AT US IS OUR OWN REFECTION ... BEARING WITNESS TO THE DUALITY OF LIFE ... THAT EACH ONE OF US IS CAPABLE OF BOTH THE DARK AND THE LIGHT ... OR GOOD AND EVIL ... OF EITHER ... OF ALL. AND DESTINY, WHILE MARCHING EVER IN OUR DIRECTION, CAN BE REROUTED BY THE CHOLCES WE MAKE ... BY THE LOVE WE HOLD ONTO AND THE PROMISES WE KEEP. ::PERUSE:: 算是善意的誤會吧
我閱讀可不是用功 我閱讀多半只是逃離 還有一些不甘心 逃離自己 逃離這個世界 不甘心自己
不甘心這個世界 ::DREAM:: 常常聽到的話,常常是隨便說說的.
你一談起理想,很多大人就會說:"那是你的理想,看看現實吧,現實可不是這樣的."照他們的說法,理想和現實好像是在河的兩岸一樣. 只要稍微想一下就知道,理想和現實是連在一起的,是互相形成的,是河跟河岸的關係.有怎樣的河,就會有怎樣的河岸;有怎樣的河岸,就會有怎樣的河.只要人有新的理想或多或少地去實現,那所謂的現實,就會相對應的改變.河水漲一點,河岸就退一點.河岸長了樹,河水就會被期望要更清澈.明明是連在一起的事,就是會有人要把它們說成是永不交會的兩界. 原來啊,常常聽到的話,並不表示就值得相信.有可能只是一些懶惰的人,隨口說說而已. ::NEW: "WHEN YOU'RE FINISHED CHANGING, YOU'RE FINISHED."
—NUMBER (N)INE BY TAKAHIRO MIYASHITA
::13.13:: TECHNOLOGY IS A GLITTERING LURE, BUT THERE IS THE RARE OCCASION WHEN THE PUBLIC CAN BE ENGAGED ON A LEVEL BEYOND FLASH. IF THEY HAVE A SENTIMENTAL BOND WITH THE PRODUCT. MY FIRST JOB I WAS IN-HOUSE AT A FUR COMPANY. THIS OLD PRO COPY WRITER. A GREEK NAMED TEDDY. AND TEDDY TOLD ME THE MOST IMPORTANT IDEA IN ADVERTISING IS "NEW." IT CREATES AN ITCH. YOU SIMPLY PUT YOUR PRODUCT IN THERE AS A KIND OF CALAMINE LOTION. BUT HE ALSO TALKED ABOUT A DEEPER BOND WITH A PRODUCT. NOSTALGIA. IT'S DELICATE BUT POTENT.
SWITCH IT ON. TEDDY TOLD ME THAT IN GREEK, NOSTALGIA LITERALLY MEANS, 'THE PAIN FROM AN OLD WOUND.' IT'S A TWINGE IN YOUR HEART, FAR MORE POWERFUL THAN MEMORY ALONE. THIS DEVICE ISN'T A SPACESHIP, IT'S A TIME MACHINE. IT GOES BACKWARDS AND FORWARDS. AND IT TAKES US TO A PLACE WHERE WE ACHE TO GO AGAIN. IT'S NOT CALLED 'THE WHEEL.' IT'S CALLED 'THE CAROUSEL.' IT LETS US TRAVEL THE WAY A CHILD TRAVELS. AROUND AND AROUND AND BACK HOME AGAIN. A PLACE WHERE WE KNOW WE ARE LOVED.
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